noun

definition

The part of a garment that covers the arm.

definition

A (usually tubular) covering or lining to protect a piece of machinery etc.

definition

A protective jacket or case, especially for a record, containing art and information about the contents; also the analogous leaflet found in a packaged CD.

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A tattoo covering the whole arm.

definition

A narrow channel of water.

definition

Sleave; untwisted thread.

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A serving of beer measuring between 14 and 16 ounces.

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A long, cylindrical plastic bag of cookies or crackers.

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A double tube of copper into which the ends of bare wires are pushed so that when the tube is twisted an electrical connection is made. The joint thus made is called a McIntire joint.

verb

definition

To fit a sleeve to

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(magic tricks) To hide something up one's sleeve.

Examples of sleeves in a Sentence

He peeled the tac suit down to his waist, revealing a snug T-shirt beneath whose sleeves were tight around bulging biceps.

Two lowered her, pulling up his sleeves to fight.

By midmorning, Deidre was free.  Katie grimaced as she wrapped the dismembered sleeves of her sweater around her wounds.  Blood soaked the sweater quickly, and she held it over her head.  Even before she stood, she felt woozy.  Deidre tested herself and limped a few feet.  Katie steadied her breathing to keep from dropping to her knees.

Alex was in short sleeves today, his brown muscular arms exposed to the warm sun.

A short jacket fastened at the back and with short sleeves is worn.

Indigo jeans outlined the long lean muscles in his thighs, and the sleeves of his western shirt were rolled up to reveal tanned muscular forearms.

It is a sack-like tunic of white linen, with narrow sleeves and a hole for the head to pass through, and when gathered up round the waist by the girdle (cingulum) just clears the ground.

Albs were originally quite plain, but about the 10th century the custom arose of ornamenting the borders and the cuffs of the sleeves with strips of embroidery, and this became common in the 12th century.

A modern Bedouin equivalent has long sleeves; it is common to both sexes, the chief difference lying in the colour - white for men, dyed with indigo for women.

Often the left arm had a short sleeve while the right was bare, but flowing sleeves came into use and various pleated skirts became customary.

In time this mantle covered both shoulders and assumed sleeves, and in one form or another it is frequently represented.

The skirts were held in place by a thick rolled belt, and the upper part of the body remained quite nude in the earliest times; but from the middle Minoan period onward we often find an important addition in the shape of a low-cut bodice, which sometimes has sleeves, either tight-fitting or puffed, and ultimately develops into a laced corsage.

The tunic with long sleeves (tunica manicata) was a later fashion.

The Annamese of both sexes wear wide trousers, a long, usually black tunic with narrow sleeves and a dark-coloured turban, or in the case of the lower classes, a wide straw hat; they either go bare-foot or wear sandals or Chinese boots.

The lower edge and the sleeves are usually garnished with lace, lined with violet or red silk in the case of prelates, or - more rarely - with embroidered borders.

The main modifications have been in the sleeves.

The portrait of Archbishop Warham at Lambeth, for instance, shows a rochet with fairly wide sleeves narrowing towards the wrists, where they are confined by fur cuffs.

This fashion continued until, in the 17th century, the sleeves became much fuller; but it was not till the, 8th century that they developed into the familiar exaggerated balloon shape, confined at the wrists by a ribbon, beyond which a ruffle projected.

About the same period, too, arose the custom of making the rochet sleeveless and attaching the "lawn sleeves" to the chimere.

This fashion survived throughout most of the 19th century, but there has since been a tendency to revert to the earlier less exaggerated form, and the sleeves have been reattached to the rochet.

A loose woollen coat reaching to the knees, and bound round the waist by a thick fold of cotton cloth, forms the dress of the men; the women's dress is a long cloak with loose sleeves.

He wore a goune like an artist's goune with hanging sleeves."

The women are clad in the holoka, a loose white or coloured garment with sleeves, reaching from the neck to the feet.

In the great bog-deposit at Thorsbjaerg in Angel, which dates from about the 4th century, there were found a coat with long sleeves, in a fair state of preservation, a pair of long trousers with remains of socks attached, several shoes and portions of square cloaks, one of which had obviously been dyed green.

England, France, Spain and Germany, dalmatic and tunicle are now no longer tunics, but scapular-like cloaks, with an opening for the head to pass through and square lappets falling from the shoulder over the upper part of the arm; in Italy, on the other hand, though open up the side, they still have regular sleeves and are essentially tunics.

He was then taken from the bath and put into a plain bed without hangings, in which he remained until his body was dry, when the two esquires put on him a white shirt and over that " a robe of russet with long sleeves having a hood thereto like unto that of an hermit."

It is a tunic of white linen or cotton material, with wide or moderately wide sleeves, reaching - according to the Roman use - barely to the hips and elsewhere in the churches of the Roman communion to the knee.

Such were the sleeveless surplice, which was provided at the sides with holes to put the arms through; the surplice with slit-up arms or lappels (so-called "wings") instead of sleeves; the surplice of which not only the sleeves but the body of the garment itself were slit up the sides, precisely like the modern dalmatic; and, finally, a sort of surplice in the form of a bell-shaped mantle, with a hole for the head, which necessitated the arms being stuck out under the hem.

There are, however, certain parts of a garment, such as the putting in of sleeves and placing on of collars, &c., that can only be sewn by hand.

The dress of the men of the upper and middle classes who have not adopted European clothinga practice increasingly common consists of cotton drawers, and a cotton or silk shirt with very wide sleeves.

Above these are generally worn a waistcoat without sleeves, and a long vest of silk, called e.

Over all is worn a long cloth robe, the gibbeh (or jibbeh) somewhat resembling the kaftan in shape, but having shorter sleeves, and being open in front.

In going abroad the ladies wear above their indoor dress a loose robe of colored silk without sleeves, and nearly open at the sides, and above it a large enveloping piece of black silk, which is brought over the head, and gathered round the person by the arms and hands on each side.

It was formerly fastened with strings, but now with the ghundi (the old form of button) and tukmah or loop. In southern India, Gujarat and in the United Provinces the arid is much the same as to length and fit as the English shirt; as the traveller goes northward from Delhi to the Afghan border he sees the kurta becoming longer and looser till he finds the Pathan wearing it almost to his ankles, with very full wide sleeves.

The sleeves are everywhere long and are sometimes fastened with one or two buttons at the wrist.

Garments for outdoor wear are the anga, or angarkha, the chapkan, the achkan or sherwani; the anga, a coat with full sleeves, is made of any material, white or coloured.

A sleeveless waistcoat generally made of silk is called a sadari; when it has half sleeves it is called nimastin; the full-sleeved waistcoat worn in winter padded with cotton is called mirzai.

This is like the kamis of the man, already described; it has full sleeves, is open at the front, which is embroidered, and reaches to the knee or lower.

Meman women wear also the aba, or overcoat, which differs from that worn by men in that it has loose half sleeves, and fastens with two buttons at each side of the neck over the shoulders; it is embroidered on the breast, and adorned with gold lace on the skirts.

This covers the breast and shoulder; it has half sleeves, is very short, and is fastened at the back with strings.

It has no collar, and the sleeves are loose.

Over the shirt and zir-jamah comes the arkhalik, generally of quilted chintz or print, a closely-fitting garment, collarless, with tight sleeves to the elbow, whence, to the wrist, are a number of little metal buttons, fastened in winter, but not in summer.

A very short jacket, of gay color, quite open in front, having tight sleeves with many metal buttons, is usually worn in summer, and a lined outer coat in cold weather.

In winter an over-mantle like the kulijah, or coat of the man, with short sleeves, lined and trimmed with furs, is worn.

The women's dress is a smock with sleeves loose to the wrist, where they fit tightly.

The brushes are carried by sleeves which run loosely on the shaft, and to each sleeve is rigidly fixed a ratchet wheel.

A modified form of this over-tunic with loose sleeves and made of frieze formed probably the general covering of the peasantry.

The slapper's sleeves were rolled, revealing an intricate tattoo of battle scenes around the letters PMF.

At the house, she abandoned the towel and put her arms into the sleeves of one of his shirts while he held it for her.

It has a wide neckline, three-quarter length batwing sleeves and a scalloped panel running down the center with decorative silver plastic bobble buttons.

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