noun

definition

A three dimensional work of art created by shaping malleable objects and letting them harden or by chipping away pieces from a rock (sculpting).

definition

Works of art created by sculpting, as a group.

definition

The three-dimensional ornamentation on the outer surface of a shell

verb

definition

To fashion something into a three-dimensional figure.

definition

To represent something in sculpture.

definition

To change the shape of a land feature by erosion etc.

Examples of sculptures in a Sentence

For the character of the sculptures see Greek Art.

The sculptures belong to a primitive period of art.

It's full of sculptures and paintings.

The portal has curious sculptures with scenes from the life of SS.

It is built of Roman materials from Minturnae, including several inscriptions and sculptures.

Maybe he was shipping drugs inside sculptures.

The exterior and interior are elaborately adorned with sculptures.

Emiliano has a group of three altars decorated with fine sculptures by Rocco da Vicenza (1521).

There are also sculptures by Lorenzo and Battista Bregno and others.

The interior of the Church is decorated with sculptures by pupils of Desiderio da Settignano.

These sculptures, which are in rough limestone, most likely belong to the earlier building, as their surface is in a better state of preservation than could be possible if they had been long exposed to the air.

She maneuvered through sculptures and other exhibits on the floor to the small office in the back.

In the museum are some of the ancient sculptures and mosaics discovered in Algeria, together with medals and Algerian money.

The building contained one hundred marble pillars, and was also adorned with sculptures and mosaics sent from Ravenna by Pope Adrian I.

There are several good palaces of the early Renaissance, a fine theatre (1857) and a museum containing important palaeo-ethnological collections, ancient and medieval sculptures, and the natural history collection of Spallanzani.

The sculptures of the pediments have been completely lost, but their design has been ingeniously reconstructed by Sauer.

Hamburg has comparatively few secular buildings of great architectural interest, but first among them is the new Rathaus, a huge German Renaissance building, constructed of sandstone in 1886-1897, richly adorned with sculptures and with a spire 33 o ft.

Mariano e Jacopo, a structure of the 12th century, with a façade, adorned with contemporary sculptures, partly restored in 1514-1550.

Just the same form of short sword was used in Persia and is shown on the sculptures at Persepolis.

Similar movements from the same regions appear also to have penetrated Iran itself; hence the resemblance between the dress and daggers of certain classes of warriors on the sculptures of Persepolis and those shown on the Kul Oba vase.

Speaking generally, it has been found that the East as opposed to the West has undergone relatively little alteration in the principal constituents of dress among the bulk of the population, and, although it is often difficult to interpret or explain some of the details as represented (one may contrast, for example, worn sculptures or seals with the vivid Egyptian paintings), comparison with later descriptions and even with modern usage is frequently suggestive.

The Hittite warriors upon north Syrian sculptures (Zenjirli, perhaps ' all to 9th centuries) have a short-sleeved tunic which ends above the knees, and this type of garment recurs over a large area with numerous small variations (with or without girdle, slits at the neck, or bordering).

In 1875 his " Warrior Bearing a Wounded Youth from the Field of Battle " gained the gold medal at the Royal Academy schools, and when exhibited in 1876 it divided public attention with the "Tennyson " of Woolner and " Wellington monument " sculptures of Alfred Stevens, now in St Paul's Cathedral.

At Boghaz Keui, Euyuk and Jerablus, the facial type is very markedly non-Semitic. But not much stress can be laid on these differences owing to (i) great variety of execution in different sculptures, which argues artists of very unequal capacity; (2) doubt whether individual portraits are intended in some cases and not in others.

He was possibly right as regards the Sinjerli and Sakchegeuzu sculptures, which are of provincial appearance.

The cathedral, an imposing building in the Romanesque Transition style (1207-1242), has a Gothic choir at each end, and contains some interesting medieval sculptures.

The Festsaalbau, erected by Klenze in the Italian Renaissance style, is adorned with mural paintings and sculptures, while the Königsbau, a reduced copy of the Pitti Palace at Florence, contains a series of admirable frescoes from the Niebelungenlied by Julius Schnorr von Carolsfeld.

The Glyptothek, a building by Klenze in the Ionic style, and adorned with several groups and single statues, contains a valuable series of sculptures, extending from Assyrian and Egyptian monuments down to works by Thorwaldsen and other modern masters.

The courts are ornamented by sculptures of great beauty and richness; the delicately-carved cedar ceiling bears traces of polychromatic painting.

A number of fine sculptures were found in the square in front of the cathedral in 1890, and architectural fragments belonging to some public building.

The place of honor may perhaps be conferred upon sculptures in wood, representing the Indian Buddhists, Asangha and Vasabandhu, preserved in the Golden Hall of Kofuku-ji, Nara.

The goddess of art of Akishino-dera, Nara, attributed to the 8th century, is the most graceful and least conventional of female sculptures in Japan, but infinitely remote from the feminine conception of the Greeks.

The sculptures attributed to Jocho, the founder of the Nara school, although powerful in pose and masterly in execution, lack the truth of observation seen in some of the earlier and later masterpieces.

Many of KOuns sculptures appear unfinished to eyes trained in Occidental galleries, whereas the Japanese connoisseur detects evidence of a technical feat in their seeming roughness.

The sculptures from this treasury are in the museum, as are the other sculptures found on the site.

The sculptures found have been assigned to this building, probably to the gables, as they are archaic in character, and show a remarkable resemblance to the sculptures from the pediment of the early temple of Athena at Athens.

The sculptures from the stage front, now in the museum, have the labours of Heracles as their subject.

Fragments of Norman work areleft; the interior is elaborately adorned with sculptures and stained glass.

Sculptures in large numbers, both of the Greek city and the Roman, are collected in the new museum erected by the Greek government near the plane tree.

The finest of the Greek sculptures is the head of a youth found in the orchestra of the theatre at a depth of 23 ft.

The fine execution is all that differentiates it from the numerous copies in various museums. The most important sculptures of the Roman period, however, are a group of colossal figures supporting an entablature, a large part of which has been recovered.

It has ten columns which are attributed to the temple of Venus, and there are good screens of the 12th century, and other sculptures.

The other attitude, however, is that into which simple-minded Latin peasants actually lapse, as it is also that which characterizes other religions ancient or modern which use pictures or sculptures of gods, demons, men, brutes, or of particular parts and organs of the same.

The scope of the archaeologist's studies must include every department of the ancient history of man as preserved in antiquities of whatever character, be they tumuli along the Baltic, fossil skulls and graven bones from the caves of France, the flint implements, pottery, and mummies of Egypt, tablets and bas-reliefs from Mesopotamia, coins and sculptures of Greece and Rome, or inscriptions, waxen tablets, parchment rolls, and papyri of a relatively late period of classical antiquity.

Not merely were artistic sculptures and bas-reliefs found that demonstrated a high development of artistic genius, but great libraries were soon revealed, - books consisting of bricks of various sizes, or of cylinders of the same material, inscribed while in the state of clay with curious characters which became indelible when baking transformed the clay into brick.

The interior, which is as rich as coloured marbles, gilding, and sculptures can make it, contains the busts of more than a hundred German worthies.

Even in Mexican and Mayan sculptures the gods are arrayed in gorgeous breech-clouts.

Of the Mexican and Central American sculpture and architecture a competent judge says that Yucatan and the southern states of Mexico are not rich in sculptures, apart from architecture; but in the valley of Mexico the human figure, animal forms, fanciful life motives in endless variety, were embodied in masks, yokes, tablets, calendars, cylinders, disks, boxes, vases and ornaments.

These mythological ideas and symbols of the American aborigines were woven in their textiles, painted on their robes and furniture, burned into their pottery, drawn in sand mosaics on deserts, and perpetuated in the only sculptures.

The traditions agree with the monuments, whatever may be objected to assigning any one ruin to the Toltec, the Chichimec or the Nahuatl, that there are distinct varieties in ground-plan, motives, stone-craft, wall decorations and sculptures.

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