noun

definition

A literary piece written in verse.

definition

A piece of writing in the tradition of poetry, an instance of poetry.

definition

A piece of poetic writing, that is with an intensity or depth of expression or inspiration greater than is usual in prose.

Examples of poems in a Sentence

His poems and orations were published after his death.

His poems, both secular and religious, contained in his Diwan and scattered in the liturgy, are all in Hebrew, though he employed Arabic metres.

The success of these ventures prompted him to collect his poems in 1722.

Fragments of his poems have been collected by Wilke, De graecorum syllis (Warsaw, 1820), Paul, Dissertatio de syllis (Berlin, 1821), and Wachsmuth, Sillographorum graec. reliquiae (Leipzig, 1885).

Laws were engraved on cypress by the ancients, and objects of value were preserved in receptacles made of it; thus Horace speaks of poems levi servanda cupresso.

Even in the Homeric poems, which belong to an age when the great Minoan civilization was already decadent, the Cretans appear as the only Greek people who attempted to compete with the Phoenicians as bold and adventurous navigators.

His extant works are (a) three poems, "The Praises of Wemen" (224 lines), "On Luve" (10 lines), and "The Miseries of a Pure Scholar" (189 lines), and (b) a Latin account of the Arbuthnot family, Originis et Incrementi Arbuthnoticae Familiae Descriptio Historica (still in MS.), of which an English continuation, by the father of Dr John Arbuthnot, is preserved in the Advocates' Library, Edinburgh.

The poems are printed in Pinkerton's Ancient Scottish Poems (1786), i.

Harrison-Ainsworth in his novel Crichton (new ed., 1892) reprints and translates some documents relating to Crichton, as well as some of his poems.

He also posed as an author and patron of literature; his poems, severely criticized by Philoxenus, were hissed at the Olympic games; but having gained a prize for a tragedy on the Ransom of Hector at the Lenaea at Athens, he was so elated that he engaged in a debauch which proved fatal.

Very often, if not most frequently, it cannot be doubted that the occult religious significance depends on an artificial exegesis; but there are also poems of Hafiz, Saadi, and other writers, religious in their first intentions.

The " Cherubic Wanderer," and other poems, of Johann Scheffier (1624-1677), known as Angelus Silesius, are more closely related in style and thought to Eckhart than to Boehme.

Here Venantius Fortunatus, the Italian poet, found a friendly reception, and two of the poems printed under his name are usually attributed to Radegunda.

Byles, with the title Cornish Ballads and other Poems, appeared in 1904.

His lyrical poems are wanting in spontaneity and individuality, but many of them possess a simple, orderly charm, as of an English country lane.

His writings, consisting of short poems, philosophical essays, grammatical notes and letters, were published after his death by his pupil Jacob Faber.

A different but essential side of his character is seen in his poems and humorous pieces, such as the Vergleichende Anatomie der Engel (1825), written under the pseudonym of "Dr Mises."

His writings, which include some Latin poems, prove him a man of learning, and he appears to have been acquainted not only with the Latin classics, but also with Greek, and even Hebrew.

His Essais en vers et en prose (1797) contains the Marseillaise, a prose tale of the sentimental kind called Adelaide et Monville, and some occasional poems.

Angilbert, however, was little like the true medieval saint; his poems reveal rather the culture and tastes of a man of the world, enjoying the closest intimacy with the imperial family.

Of the shorter poems, besides the greeting to Pippin on his return from the campaign against the Avars (796), an epistle to David (Charlemagne) incidentally reveals a delightful picture of the poet living with his children in a house surrounded by pleasant gardens near the emperor's palace.

His nephew, Diego, the younger (1586-1660), produced Chauleidos (1628) and other Latin poems, including sacred dramas; a novel, Casamento Perfeito (1630); and shone as a historical critic.

The romantic character of the history of this family has been the subject of poems, dramas and novels.

New poems in abundance dealt with the history of the Crusades, either in a faithful narrative, like that of the Chanson of Ambroise, which narrates the Third Crusade, or in a free and poetical spirit, such as breathes in the Chanson d'Antioche.

Her literary work consists of the Heptameron, of poems entitled Les Marguerites de la marguerite des princesses, and of Letters.

The poet Marc Antonia Flaminio, for instance, congratulates himself in pretty Latin verses on her singing his poems.

The Homeric poems scarcely mention Attica, and the legends, though numerous, are rarely of direct historical value.

In fact, it does for the Robin Hood cycle what a few years before Sir Thomas Malory had done for the Arthurian romances - what in the 6th century B.C. Peisistratus is said to have done for the Homeric poems.

The best collections of Robin Hood poems are those of Ritson (8vo, 1795) and Gutch (2nd ed., 1847), and of Professor Child in the 5th volume of his invaluable English and Scotch Popular Ballads (Boston, 1888).

Xenophanes in the middle of the 6th century had made the first great attack on the crude mythology of early Greece, including in his onslaught the whole anthropomorphic system enshrined in the poems of Homer and Hesiod.

Among his contemporaries Chastellain acquired a great reputation by his poems and occasional pieces now little considered.

He wrote his lectures at high pressure, and devoted much time to the editing and publication of the numerous poems which he had written at various times during his life.

A few poems by Emmet of little merit are appended to Madden's biography.

The poems of this statesman, though possessing little merit of their own, being for the most part translations from Nevayi, form one of the landmarks in the history of Ottoman literature.

He spent the summer months in Scotland, writing articles, poems, and above all his first romance, The Sea-Cook, afterwards known as Treasure Island; but he was driven back to Davos in October.

In 1885 he published, after long indecision, his volume of poems, A Child's Garden of Verses, an inferior story, The Body Snatcher, and that admirable romance, Prince Otto, in which the peculiar quality of Stevenson's style was displayed at its highest.

In July he published his volume of lyrical poems called Underwoods.

The Works of John Home were collected and published by Henry Mackenzie in 1822 with "An Account of the Life and Writings of Mr John Home," which also appeared separately in the same year, but several of his smaller poems seem to have escaped the editor's observation.

He published his first volume of Poems in 1827, and in 1833 appeared his Poems and Prose Writings, republished in 1850 in two volumes, in which were included practically all of his poems and of his prose contributions to periodical literature.

The cycle of Guillaume has more unity than the other great cycles of Charlemagne or of Doon de Mayence, the various poems which compose it forming branches of the main story rather than independent epic poems. There exist numerous cyclic MSS.

The inconsistencies between the real and the epic Guillaume are often left standing in the poems. The personages associated with Guillaume in his Spanish wars belong to Provence, and have names common in the south.

Le Couronnement Looys, already mentioned, Le Charroi de Nimes (12th century) in which Guillaume, who had been forgotten in the distribution of fiefs, enumerates his services to the terrified Louis, and Aliscans (r2th century), with the earlier Chanrun, are among the finest of the French epic poems. The figure of Vivien is among the most heroic elaborated by the trouveres, and the giant Rainouart has more than a touch of Rabelaisian humour.

The conclusions arrived at by earlier writers are combated by Joseph Bedier in the first volume, "Le Cycle de Guillaume d'Orange" (1908), of his Legendes epiques, in which he constructs a theory that the cycle of Guillaume d'Orange grew up round the various shrines on the pilgrim route to Saint Gilles of Provence and Saint James of Compostella - that the chansons de geste were, in fact, the product of 11th and 12th century trouveres, exploiting local ecclesiastical traditions, and were not developed from earlier poems dating back perhaps to the lifetime of Guillaume of Toulouse, the saint of Gellone.

None of these poems show any very patriotic feeling, though Chartier's prose is evidence that he was not indifferent to the misfortunes of his country.

In the Homeric poems Laconia appears as the realm of an Achaean prince, Menelaus, whose capital was perhaps Therapne on the left bank of the Eurotas, S.E.

He wrote poems of all kinds in a language hitherto employed only for ballads and hymns; he instituted a theatre, and composed a rich collection of comedies for it; he filled the shelves of the citizens with works in their own tongue on history, law, politics, science, philology and philosophy, all written in a true and manly style, and representing the extreme attainment of European culture at the moment.

He brought out also in 1856 a short volume of poems called Vaterleindische Gedichte, and another volume in the following year.

During the latter part of the 16th century and the beginning of the 17th two poets of a higher order appeared in Valentine Balassa, the earliest Magyar lyrical writer, and his contemporary John Rimay, whose poems are of a contemplative and pleasing character.

The lyric and epic poems of Stephen GyongyOsi, who sang the deeds of Maria Szechy, the heroine of Murany, Murdnyi Venus (Kassa, 1664), are samples rather of a general improvement in the style than of the purity of the language.

The most noteworthy follower of Dugonics was Adam Horvath, author of the epic poems Hunniasz (Gyor, 1787) and Rudolphiasz (Vienna, 1817).

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