noun

definition

An illustration or artwork done with the use of paint.

example

The Mona Lisa is one of the most famous paintings.

definition

The action of applying paint to a surface.

example

The outside of the old house would benefit from some painting.

definition

The same activity as an art form.

example

Some artists, like Michelangelo, excel in both painting and sculpture.

Examples of paintings in a Sentence

Kiera gasped, drawing Evelyn's attention from the paintings to the door.

She crossed to sit where she couldn't see any of her paintings and instead gazed at Evelyn.

Kiera's eyes went over all her paintings, settling again on the one of A'Ran.

She pulled the other three paintings out, and to Jackson's amazement had chosen correctly.

Ferdinand, Philip's son, who succeeded under Dutillot's regency in 1765, saw his states occupied by the revolutionary forces of France in 1796, and had to purchase his lifeinterest with 6,000,000 lire and 25 of the best paintings in Parma.

In the church of St Lars are some paintings by Per Horberg (1746-1816), the Swedish peasant artist.

Protogenes embellished the city with his paintings, and Chares of Lindus with the celebrated colossal statue of the sun-god, which was 105 ft.

This church contained some well-executed native paintings of St George and the Dragon, The Last Supper, &c. Among the religious observances of the Christians of Gondar is that of bathing in large crowds in the Gaha on the Feast of the Baptist, and again, though in more orderly fashion, on Christmas day.

In modern times the manor was held by Wynne Ellis (1790-1875), who left a valuable collection of paintings to the nation.

Most of the movable paintings have since 1863 been collected in the Pinacoteca Vannucci, established in the Palazzo del Municipio; besides a considerable number of pieces by Perugino, there are specimens of Niccolo Alunno, Bonfigli, Pinturicchio, &c. A very interesting and important exhibition of Umbrian art was held here in 1907.

He is celebrated as a collector of paintings, books, gems and sculptures, his "Arundel marbles" being given by his grandson in 1667 to the University of Oxford.

He built a stately house in the city, and adorned it with a multitude of paintings.

It has a town hall with handsome rooms, a library, a gymnasium, a lyceum, elementary schools, an arsenal, and eleven churches, the finest of which is St Martin's, of the 15th century, with many excellent paintings and a tower 300 ft.

Pilgrim Hall, a large stone building erected by the Pilgrim Society (formed in Plymouth in 1820 as the successor of the Old Colony Club, founded in 1769) in 1824 and remodelled in 1880, is rich in relics of the Pilgrims and of early colonial times, and contains a portrait of Edward Winslow (the only extant portrait of a "Mayflower" passenger), and others of later worthies, and paintings, illustrating the history of the Pilgrims; the hall library contains many old and valuable books and manuscripts - including Governor Bradford's Bible, a copy of Eliot's Indian Bible, and the patent of 1621 from the Council for New England - and Captain Myles Standish's sword.

This figure, also known as the vesica piscis, is common in ecclesiastical seals and as a glory or aureole in paintings of sculpture, surrounding figures of the Trinity, saints, &c. The figure is, however, sometimes referred to the almond, as typifying virginity; the French name for the symbol is Amande mystique.

Late Minoan art in its finest aspect is best illustrated by the animated ivory figures, wall paintings, and gesso duro reliefs at Cnossus, by the painted stucco designs at Hagia Triada, and the steatite vases found on the same site with zones in reliefs exhibiting life-like scenes of warriors, toreadors, gladiators, wrestlers and pugilists, and of a festal throng perhaps representing a kind of " harvest home."

Of the more conventional side of Late Minoan life a graphic illustration is supplied by the remains of miniature wall paintings found in the palace of Cnossus, showing groups of court ladies in curiously modern costumes, seated on the terraces and balustrades of a sanctuary.

The chest is of limestone coated with stucco, adorned with life-like paintings of offertory scenes in connexion with the sacred Double Axes of Minoan cult.

Armillary spheres occur in many old sculptures, paintings and engravings; and from these sources we know that they were made for suspension, for resting on the ground or on a table, for holding by a short handle, or either for holding or for resting on a stand.

In restoring this church curious mural paintings were discovered.

The richness of the Aegean capitals and columns may be judged by those from the "Treasury of Atreus" now set up in the British Museum; and of the friezes we have examples in Mycenaean and Cnossian fragments, and Cnossian paintings.

Mercuriale stands in the principal square, and contains, besides paintings, some good carved and inlaid choir stalls by Alessandro dei Bigni.

Among many fine paintings, it contains portraits by Hoppner, Kneller, Lely, Opie and Reynolds.

In later ages the representations of birds of one sort or another in Egyptian paintings and sculptures become countless, and the bassi-rilievi of Assyrian monuments, though mostly belonging of course to a subsequent period, are not without them.

It is a stone building in Palladian style, and contains a number of splendid paintings and much fine wood-carving.

Owing to a fire which gutted a great part of the palace in 1574, the internal appearance of the rooms was completely changed, and the fine series of early Paduan and Venetian paintings which decorated the walls of the chief rooms was lost.

The great staircase and the lower and upper halls contain the unrivalled series of paintings by Tintoretto, which called forth such unbounded enthusiasm on the part of Ruskin.

The gallery now constitutes a unique collection of Venetian paintings from the most ancient artists down to Tiepolo, one hall only being reserved for other Italian schools and one for foreign schools.

It has one of the finest collections of casts in existence, a number of original pieces of Greek statuary, the second-best collection in the world of Aretine ware, the finest collection of Japanese pottery, and probably the largest and finest of Japanese paintings in existence.

Close by is the university, with a colonnade adorned with paintings, and the Vallianean library with a handsome Doric portico of Pentelic marble.

Subsequent popes manifested equal ardour, with the same damaging results, in the repair and adornment of the catacombs, and many of the paintings covering their walls, which have been assigned to the period of their original construction, are really the work of these later times.

Both the roof and the walls are almost universally coated with stucco and covered with fresco paintings - in the earlier works merely decorative, in the later always symbolical or historical.

These paintings, it will be seen, are simply decorative, of the same style as the wall-paintings of the baths, and those of Pompeii.

The walls are abundantly decorated with paintings, one of a liturgical character.

The walls are often covered with paintings in a very simple archaic style, in red and black.

The interior is decorated with modern paintings and frescoes.

The fine arts department contains twenty-seven oil paintings by modern English and continental artists bequeathed by William Menelaus of Dowlais in 1883, the Pyke-Thompson collection of about roo water-colour paintings presented in 5899, and some 3000 prints and drawings relating to Wales.

Of the six churches, the Schlosskirche, adorned with paintings by Lucas Cranach, in one of which ("The Last Supper") are portraits of several reformers, is the most interesting.

The cathedral contains some fine stained glass, the largest organ in Germany (1856), and a number of interesting old paintings and carvings by Jorg Syrlin the elder, Jorg Syrlin the younger, Burkhard Engelberger, and other masters of the Swabian school.

The picture gallery is equally important in its way, affording a survey both of the earlier Bolognese paintings and of the works of the Bolognese eclectics of the 16th and 17th centuries, the Caracci, Guido Reni, Domenichino, Guercino, &c. The primitive masters are not of great excellence, but the works of the masters of the 15th century, especially those of Francesco Francia (1450-1517) and Lorenzo Costa of Ferrara (1460-1535), are of considerable merit.

Dunkirk is the seat of a sub-prefect; its public institutions include tribunals of first instance and of commerce, a board of trade-arbitrators, an exchange, a branch of the Bank of France and a communal college; and it has a school of drawing, architecture and music, a library and a rich museum of paintings.

It contains the famous Tabulae Iguvinae, and a collection of paintings of the Umbrian school, of furniture and of majolica.

Maria di Provenzano, a vast baroque building of some elegance, designed by Schifardini (1594) Sant' Agostino, rebuilt by Vanvitelli in 1755, containing a Crucifixion and Saints by Perugino, a Massacre of the Innocents by Matteo di Giovanni, the Coming of the Magi by Sodoma, and a St Anthony by Spagnoletto (?); the beautiful church of the Servites (15th century), which contains another Massacre of the Innocents by Matteo di Giovanni and other good examples of the Sienese school; San Francesco, designed by Agostino and Agnolo about 1326, and now restored, which once possessed many fine paintings by Duccio Buoninsegna, Lorenzetti, Sodoma and Beccafumi, some of which perished in the great fire of 1655; San Domenico, a fine 13th-century building with a single nave and transept, containing Sodoma's splendid fresco the Swoon of St Catherine, the Madonna of Guido da Siena, 1281, and a crucifix by Sano di Pietro.

Thanks to all these architectural treasures, the narrow Sienese streets with their many windings and steep ascents are full of picturesque charm, and, together with the collections of excellent paintings, foster the local pride of the inhabitants and preserve their taste and feeling for art.

In the interior there are a "Madonna and Child" of Fra Bartolommeo and a number of other paintings and works of art.

Outside the north gate is a street of tombs, in some of which were found arms, vases and fine mural paintings (now in the Naples Museum).

Near Fasano are two small subterranean chapels with paintings of the 11th century A.D.

Several of its churches are architecturally interesting, especially the Madonna delle Lacrime (1487) outside the town, the elegant early Renaissance architecture of which resembles that of the Madonna del Calcinaio at Cortona, and most of them (and also the municipal picture gallery) contain paintings by artists of the Umbrian school - notably Lo Spagna, a pupil of Perugino.

Speaking generally, it has been found that the East as opposed to the West has undergone relatively little alteration in the principal constituents of dress among the bulk of the population, and, although it is often difficult to interpret or explain some of the details as represented (one may contrast, for example, worn sculptures or seals with the vivid Egyptian paintings), comparison with later descriptions and even with modern usage is frequently suggestive.

Such embroideries are indicated by painting on the statues from the Acropolis and are often shown on vase paintings.

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